In the next section, which shifts the narrative point of view to third-person, we find out that the "you" the first-person narrator has been addressing, is Earl. So finally, we begin to understand, the narrator is writing in order to help the person he's addressing find and kill his wife's murderer. And when you do, you'll just have to trust me, because I'm the only one who can help you. Now the deliberately withheld punchline: Sooner or later you'll want to do something about it. But your advantage in forgetting is that you'll forget to write yourself off as a lost cause. I don't even know how long you've been locked up in this room already. I don't know how many times you'll have to read this before you listen to me. ![]() The narrator says, This is why I'm writing to you. The narrator tells "you" the one thing that he will always remember is what happened to his wife and, most importantly, You remember his face. It's only at the end of the section that the narrator reveals his purpose in telling the "you" all the details of his condition, which he can't understand and can't remember. The narrator explains the condition of the "you" in careful detail. What we do find out is that the narrator is communicating to someone who has had a traumatic experience of memory loss. The story begins with a first person narrator who is addressing a "you." We really don't know who the "you" is in this first section. A first-person narrator writes to a "you," who is gradually revealed to be Earl.Ī third-person narrator reports on Earl's actions from outside the story-world. The story is told by two different narrators. ![]() Analysis of Jonathan Nolan's Memento Mori Jonathan Nolan's "Memento Mori": Analysis
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